Eze Di Ebube.” King Glorious. The outstanding artist, Mirabel Chisom, doesn’t need to explain the title any further.
This is worship for a room full of people, not a secluded corner. Mostly driven by live percussion with keys piled on top, the whole performance feels more like a service recording than a studio session. No feature here either; she has the whole shebang herself.
Her voice on Mirabel Chisom—Eze Di Ebube does the heavy lifting, and she’s not ashamed of it. Long notes, held out, big notes, the kind of runs that get a congregation to join in. Mirabel Chisom – Eze Di Ebube has nothing left in reserve.
The words are full of repetition, the title itself becoming the chant during the second chorus. It’s not rocomplicatedriting, and it doesn’t have to be. Some tunes just demand that you get up and dance.
By the time it’s over, it’s less a song than a moment that got recorded.
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